Friday Filosophy v.01.14.2022

Friday Filosophy v.01.14.2022

Ray Douglas Bradbury: August 22, 1920 – June 5, 2012) was an American author and screenwriter. One of the most celebrated 20th-century American writers, he worked in a variety of modes, including fantasy, science fiction, horror, mystery, and realistic fiction. Bradbury was mainly known for his novel Fahrenheit 451 (1953) and his short-story collections The Martian Chronicles (1950) and The Illustrated Man (1951).[4] Most of his best known work is speculative fiction, but he also worked in other genres, such as the coming of age novel Dandelion Wine (1957) and the fictionalized memoir Green Shadows, White Whale (1992). He also wrote and consulted on screenplays and television scripts, including Moby Dick and It Came from Outer Space. Many of his works were adapted into television and film productions as well as comic books. The New York Times called Bradbury “the writer most responsible for bringing modern science fiction into the literary mainstream.”

Bradbury was born on August 22, 1920, in Waukegan, Illinois, to Esther (née Moberg) Bradbury (1888–1966), a Swedish immigrant, and Leonard Spaulding Bradbury (1890–1957), a power and telephone lineman of English ancestry. He was given the middle name “Douglas” after the actor Douglas Fairbanks.

Bradbury was surrounded by an extended family during his early childhood and formative years in Waukegan. An aunt read him short stories when he was a child.[9] This period provided foundations for both the author and his stories. In Bradbury’s works of fiction, 1920s Waukegan becomes “Green Town”, Illinois.

The Bradbury family lived in Tucson, Arizona, during 1926–1927 and 1932–1933 while their father pursued employment, each time returning to Waukegan. While living in Tucson, Bradbury attended Amphi Junior High School and Roskruge Junior High School. They eventually settled in Los Angeles in 1934 when Bradbury was 14 years old. The family arrived with only US$40 (equivalent to $774 in 2020), which paid for rent and food until his father finally found a job making wire at a cable company for $14 a week (equivalent to $271 in 2020). This meant that they could stay, and Bradbury, who was in love with Hollywood, was ecstatic.]

Bradbury attended Los Angeles High School and was active in the drama club. He often roller-skated through Hollywood in hopes of meeting celebrities. Among the creative and talented people Bradbury met were special-effects pioneer Ray Harryhausen and radio star George Burns. Bradbury’s first pay as a writer, at age 14, was for a joke he sold to George Burns to use on the Burns and Allen radio show.

  • There are worse crimes than burning books. One of them is not reading them.
  • Don’t think. Thinking is the enemy of creativity. It’s self-conscious, and anything self-conscious is lousy. You can’t try to do things. You simply must do things.
  • Jump, and you will find out how to unfold your wings as you fall.
  • If we listened to our intellect, we’d never have a love affair. We’d never have a friendship. We’d never go into business, because we’d be cynical. Well, that’s nonsense. You’ve got to jump off cliffs all the time and build your wings on the way down.
  • I don’t try to describe the future. I try to prevent it.
  • Stuff your eyes with wonder, live as if you’d drop dead in ten seconds. See the world. It’s more fantastic than any dream made or paid for in factories.
  • I hate all politics. I don’t like either political party. One should not belong to them – one should be an individual, standing in the middle. Anyone that belongs to a party stops thinking.
  • I know you’ve heard it a thousand times before. But it’s true – hard work pays off. If you want to be good, you have to practice, practice, practice. If you don’t love something, then don’t do it.
  • Science fiction is any idea that occurs in the head and doesn’t exist yet, but soon will, and will change everything for everybody, and nothing will ever be the same again. As soon as you have an idea that changes some small part of the world you are writing science fiction. It is always the art of the possible, never the impossible.
  • Fall in love and stay in love. Write only what you love, and love what you write. The key word is love. You have to get up in the morning and write something you love, something to live for.
  • Every morning I jump out of bed and step on a landmine. The landmine is me. After the explosion, I spend the rest of the day putting the pieces together.

The Time is Now.

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